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At MOMA, a Hidden History of Black Intimacy on Film | The New Yorker
In Kathleen Collins’s 1982 film, “Losing Ground,” the water character, Sara, lies in an bosom with her tricky husband, Victor. The pair face for each one else in bed, his palm holding the hindmost of her chief as strands of dense afro-american tomentum spill between his fingers. He holds her comparable a sweet, delicate thing: protectively, with a hard certainty.
Hood by Air's Leilah Weinraub on the Debut of Her Film on a Black Lesbian Strip Club at the Whitney Biennial | W Magazine
Over the last few years, in their headquarters on Hester Street in New York, the interior designer Shayne Oliver and his assorted creative directors, including the filmmaker-turned-CEO Leilah Weinraub, set about restfully rebranding Oliver’s label tough by Air—and revolutionizing streetwear in the process. At the same time, though, thing else was brewing: In that same office, Weinraub was besides demanding at work on , which documents the titular South Central Los Angeles strip lodge run by and for black lesbians, since 2002, when she front started attending its events as a 23-year-old. “I was the someone that tape-recorded all of the shows,” Weinraub said. She wasn’t the only one roaming with a camera, but she was the only one to offer the tapes up to guests and dancers for free—which has since become raw relevant for the documentary, flush if she’s calm not predestinate that that’s the appropriate mark for the film.
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